Monday 26 July 2010

Urban Incubators: Xiamen

Urban Incubators: Xiamen: "


[Xiamen, China: London Met, Unit 8-CHORA’s site of enquiry on large-scale carbon emission reduction.]


Increasingly, carbon emission issues will need to be addressed at a very large, even regional and urban, scale to offset a downward spiral. And nowhere is this more pressing than in parts of rapidly-developing China. London Metropolitan University’s Unit 8, led by CHORA (Raoul Bunschoten) and Tomaz Pipan is exploring just such an initiative in a studio titled “Urban Incubators.” They write that “Energy is the city’s new design force.” Unit 8 investigated this by inviting students to develop a energy map of an area of Xiamen, documenting it as a “cohabitation of processes.” Index maps and scenario-modeling, techniques and methods well demonstrated in much of CHORA’s work, provides a catalyst for a prototypical urban approach. Each proposal was held accountable to 4 criteria: branding, earth (site prototype), flow (processes and exchanges), and incorporation (development strategy). The scale of thinking is powerful and ambitious.


There are many fantastic provocative projects that emerged from the studio – though we thought to only highlight a few here, as the website itself is very effective. Proposals range in terms of implementability, scale, and degrees of publicness. Below is Patrick Fryer’s “Peri-Urban Aquaponic Infrastructure.” This project strategically inserts a vein-like network organization of agriculture in a site of expanding industrial lands. Aquaponic greenhouses form the primary agent in site, with a complementary matrix of composting and other ground-based agro-processes. The center spine is host to an intensive nutrient flow system, integrating the greenhouses. Intermittently strung along the spine are public programs including housing and schools.




[Peri-Urban Aquaponic Infrastructure - Branding, by Patrick Fryer.]




[Peri-Urban Aquaponic Infrastructure - Earth, by Patrick Fryer.]




[Peri-Urban Aquaponic Infrastructure - Flow, by Patrick Fryer.]




[Peri-Urban Aquaponic Infrastructure - Incorporation, by Patrick Fryer.]


Another provocative project is “Algal Economies” by Tom Down. This project recognized that much of China’s “urban villages” have limited access to land and have struggled to find agency other than as a overcrowded hub for transient populations. Instead, this proposal offers biofuel, specifically algae harvesting, as a new economy for the residents. Scaffolding-like structured farms are integrated into the village architecture in semi-public and semi-private spaces, such as roofs, patios, and courtyards. Banks of algae production line these structures, offering a new produce for the new city: renewable energy.




[Algal Economies - Earth, by Tom Down.]




[Algal Economies - Flow, by Tom Down.]


A third project is “Bamboo Components” by Benjamin Walton. This proposal capitalizes on the wasted land that has emerged through the combination of rapid development and land ownership laws of Xiamen. These sites are then tested for intense bamboo farming.  Bamboo is harvested for engineered timber construction in newly constructed production towers.




[Xiamen Bamboo Components - Earth, by Benjamin Walton.]




[Xiamen Bamboo Components - Flow, by Benjamin Walton.]

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Jean-Marie Tjibaou Cultural Center Inspired by Native Architecture

Jean-Marie Tjibaou Cultural Center Inspired by Native Architecture: "



















Read the rest of Jean-Marie Tjibaou Cultural Center Inspired by Native Architecturehttp://www.inhabitat.com/wp-admin/ohttp://www.inhabitat.com/wp-admin/options-general.php?page=better_feedptions-general.php?page=better_feed





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Wednesday 21 July 2010

Casiraghi Gorizia Mediatheque / Waltritsch a+u

Casiraghi Gorizia Mediatheque / Waltritsch a+u: "

© Dimitri Waltritsch

Architects: Waltritsch a+u
Location: Gorizia, Italy
Director in Charge: Arch. Dimitri Waltritsch
Project Team: Dimitri Waltritsch and Federico Gori, Leonardo De Marchi, Cecilia Morassi
Façade Main Contractor: Seretti srl, San giorgio di Nogaro
Interior Main Contractor: SZ arredamenti, Cervignano
Project Area: 500 sqm
Project Year: 2009-2010
Photographs: Marco Covi. Trieste (© Dimitri Waltritsch)

The new Mediatheque is part of a larger complex named Casa del Cinema – Home of the Film, which includes the Kinemax multiplex, several associations dedicated to the cinema culture, the DAMS Cinema section of the Udine University, and finally the Mediatheque. One place, located between the city main square and the castle hill, which gathers commercial, cultural, educational and promotional activities dedicated to the film culture.

floor plan

© Dimitri Waltritsch

This combination of different activities is obviously quite unique, and particularly important for the small city of Gorizia. The Mediatheque stands on the ground floor between the street and one internal passage, so it has two entrances, facing the city as well as the University. The simple plan layout divides the space into three main areas open to the public: the newspaper and magazines hall, the study space and the video room. Behind the reception and reference point, which is visually connected to both entrances, the are separated rooms as storage and one office. All spaces are bound by book and media shelves at full height. One shelve line is marked by a strong colour, different for every area, providing specific identity. The same coloured shelve line defines the glass facades as well, becoming a communication vitrine, where you directly expose new arrivals, or organise a small exhibition directly facing the public street. The newspaper and magazine area have a custom designed star shape reading table and a cross shape information counter, and is thought for informal gathering.

© Dimitri Waltritsch

© Dimitri Waltritsch

The tables in the study room can be reorganised in order to host reading evenings or presentations. Part of the project is the new façade on the public street as well. A series of coloured glass panels on the higher part of the facade are facing the built and natural context of the historical city heart. The dialogue with the surrounding buildings goes through the use of the typical colour palette of the building render, and the slight and not intrusive reflection of the surroundings provided by the coloured glass. This allows the context to be dilated into the Mediatheque building façade: a “form of transit” of the everyday life.

Casiraghi Gorizia Mediatheque - Waltritsch a+u © Dimitri Waltritsch Casiraghi Gorizia Mediatheque - Waltritsch a+u © Dimitri Waltritsch Casiraghi Gorizia Mediatheque - Waltritsch a+u © Dimitri Waltritsch Casiraghi Gorizia Mediatheque - Waltritsch a+u © Dimitri Waltritsch Casiraghi Gorizia Mediatheque - Waltritsch a+u © Dimitri Waltritsch Casiraghi Gorizia Mediatheque - Waltritsch a+u © Dimitri Waltritsch Casiraghi Gorizia Mediatheque - Waltritsch a+u © Dimitri Waltritsch Casiraghi Gorizia Mediatheque - Waltritsch a+u © Dimitri Waltritsch Casiraghi Gorizia Mediatheque - Waltritsch a+u © Dimitri Waltritsch Casiraghi Gorizia Mediatheque - Waltritsch a+u © Dimitri Waltritsch Casiraghi Gorizia Mediatheque - Waltritsch a+u © Dimitri Waltritsch Casiraghi Gorizia Mediatheque - Waltritsch a+u © Dimitri Waltritsch Casiraghi Gorizia Mediatheque - Waltritsch a+u © Dimitri Waltritsch Casiraghi Gorizia Mediatheque - Waltritsch a+u © Dimitri Waltritsch Casiraghi Gorizia Mediatheque - Waltritsch a+u © Dimitri Waltritsch Casiraghi Gorizia Mediatheque - Waltritsch a+u © Dimitri Waltritsch Casiraghi Gorizia Mediatheque - Waltritsch a+u © Dimitri Waltritsch Casiraghi Gorizia Mediatheque - Waltritsch a+u © Dimitri Waltritsch Casiraghi Gorizia Mediatheque - Waltritsch a+u © Dimitri Waltritsch Casiraghi Gorizia Mediatheque - Waltritsch a+u © Dimitri Waltritsch Casiraghi Gorizia Mediatheque - Waltritsch a+u © Dimitri Waltritsch Casiraghi Gorizia Mediatheque - Waltritsch a+u © Dimitri Waltritsch details details elevation elevation façade detail façade detail floor plan floor plan general plan general plan section section



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